Saturday, March 28, 2015

[Z808.Ebook] Ebook Free All New People (Modern Plays), by Zach Braff

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All New People (Modern Plays), by Zach Braff

All New People (Modern Plays), by Zach Braff



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All New People (Modern Plays), by Zach Braff

All New People is a slick, lively and contemporary comedy written by award-winning screenwriter and well-known actor Zach Braff.
The dead of winter, Long Beach Island, New Jersey, Charlie, has hit rock bottom. Away from the rest of the world, this perfect escape is interrupted by a motley parade of misfits who show up and change his plans. A hired beauty, a fireman, and an eccentric British real estate agent desperately trying to stay in the country all suddenly find themselves tangled together in a beach house where the mood is anything but sunny.
This pithy piece portrays a scenario of attempted suicide with mordant humour, where a basis of social alienation leads to unexpected connections. The richly-drawn characters are quick-witted and narcissistic yet self-aware and the dialogue is fluid and witty.
All New People is centred around a clever concept which works as a catalyst for both angst-fuelled scrutiny and morbid humour.

  • Sales Rank: #3186794 in Books
  • Brand: Brand: Methuen Publishing
  • Published on: 2012-04-15
  • Released on: 2012-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.56" h x .30" w x 5.00" l, .17 pounds
  • Binding: Paperback
  • 80 pages
Features
  • Used Book in Good Condition

About the Author

Zach Braff's feature film writing and directorial debut, Garden State, premiered at the 2004 Sundance Film Festival and earned him a coveted WGA nomination for "Best Original Screenplay." The film also earned him an Independent Spirit Award for "Best First Feature" as well as a nomination for "Best First Screenplay." In addition, Braff was awarded "Best Directorial Debut" by the National Board of Review, "Breakthrough Director" by the Hollywood Film Festival and "Most Promising Filmmaker" by the Chicago Film Critics Association.

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2 of 2 people found the following review helpful.
Solid debut.
By Christopher Hendrix
Zach Braff is still learning the ropes when it comes to writing for the theatre. His first effort, All New People, is a very strong debut. I was surprised at Braff's ability to draw on comedic situations from multiple perspectives so early on in his playwriting career. Knowing what I know about his writing for other mediums (he wrote/co-wrote and directed multiple episodes of "Scrubs," as well as the wonderful gem of a film Garden State), I shouldn't have been surprised, but it's always nice feel so comfortable with a playwright and his/her work so early on.

All New People is one of those straight off the page, laugh out loud scripts. You don't need much characterization for the words to jump to life, which is both a blessing and a curse to some actors. I would like to have seen this play stretched a bit more (it is a straight through one-act, no intermission), and for Braff to give a bit more attention to his protagonist Charlie. Develop his character, as opposed to sticking him on the stage to be the butt of early jokes, as well as a talking point for Braff's sometimes roaming premise. In due time. I have faith he'll work out the kinks.

Overall: All New People is a strong first outing. Laugh out loud. Fans of Zach Braff will savor it: and for us theatre folk, hopefully there's more to come.

0 of 0 people found the following review helpful.
Love Zach Braff's stuff... love this, too!
By Justin Novielli
I enjoyed this play and it was a very quick read. While the read was quick like most good theatre there is a lot of subtext to consider and things to think about that exist beyond the exact words written on the page.

I always like the way Braff blends drama and comedy and this had nice elements of both.
Definitely recommend to people who enjoy reading plays and to those who maybe haven't tried reading plays.

0 of 0 people found the following review helpful.
JD from Scrubs can write!
By Brian J Grunkowski
This script is a great, easy read with some great characters. Zach Braff captures the voices of each member of his ensemble so clearly. This script pushes boundaries and unfolds nicely and tidily as a great script should. I totally recommend this!

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Thursday, March 26, 2015

[I240.Ebook] Get Free Ebook The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success, by Kevin Dutton

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The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success, by Kevin Dutton

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The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success, by Kevin Dutton

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The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success, by Kevin Dutton

In this engrossing journey into the lives of psychopaths and their infamously crafty behaviors, the renowned psychologist Kevin Dutton reveals that there is a scale of "madness" along which we all sit. Incorporating the latest advances in brain scanning and neuroscience, Dutton demonstrates that the brilliant neurosurgeon who lacks empathy has more in common with a Ted Bundy who kills for pleasure than we may wish to admit, and that a mugger in a dimly lit parking lot may well, in fact, have the same nerveless poise as a titan of industry.

Dutton argues that there are indeed "functional psychopaths" among us―different from their murderous counterparts―who use their detached, unflinching, and charismatic personalities to succeed in mainstream society, and that shockingly, in some fields, the more "psychopathic" people are, the more likely they are to succeed. Dutton deconstructs this often misunderstood diagnosis through bold on-the-ground reporting and original scientific research as he mingles with the criminally insane in a high-security ward, shares a drink with one of the world's most successful con artists, and undergoes transcranial magnetic stimulation to discover firsthand exactly how it feels to see through the eyes of a psychopath.

As Dutton develops his theory that we all possess psychopathic tendencies, he puts forward the argument that society as a whole is more psychopathic than ever: after all, psychopaths tend to be fearless, confident, charming, ruthless, and focused―qualities that are tailor-made for success in the twenty-first century. Provocative at every turn, The Wisdom of Psychopaths is a riveting adventure that reveals that it's our much-maligned dark side that often conceals the trump cards of success.

  • Sales Rank: #51910 in Books
  • Brand: Brand: Scientific American / Farrar, Straus and Giroux
  • Published on: 2013-09-03
  • Released on: 2013-09-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .85" w x 5.53" l, .54 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

Review

“The Wisdom of Psychopaths is captivating. Dr. Dutton's book invigorated my consideration not just of a certain television character, but of slow-pulsed overachievers everywhere.” ―Michael C. Hall, actor, producer, Dexter

“A terrifically entertaining and chilling book.” ―William Georgiades, Slate

“The Wisdom of Psychopaths is an engaging and enlightening look at both the positive and negative sides of the personality characteristics that make up the diagnosis of psychopathy.” ―Michael Shermer, The Wall Street Journal

“[A] high-octane charge across the psychopathy continuum.” ―Kaja Perina, Psychology Today

“There's no denying it: we love our psychopaths….[and] in his entertaining new book…Dutton sheds some light on the stunning magnetism of the ethically challenged” ―The Daily Beast

“It's hard not to like Dutton's book . . . Dutton, like [Norman] Mailer, is waging war against the bien-pensant. And I'm with him. Life would be more fun if more people cultivated their inner psychopath.” ―Ann Marlowe, Tablet

“Dutton deftly navigates through some disturbing subject matter, but his message is ultimately upbeat: Scientists may be able to learn a lot from the darker side of human nature.” ―Allison Bohac, Science News

“A convincing study . . . The admirable quality of this book is Dutton's refusal to accept easy answers in one of the more sensational fields of popular psychology.” ―Tim Adams, The Observer (UK)

“Dutton spins a solid yarn, turning what could easily have been a dry survey of psych research into entertainment” ―Scott Olster, Fortune (CNN Money)

“The Wisdom of Psychopaths is a surprising, absorbing, and perceptive book. Kevin Dutton has amassed a great deal of knowledge about these charming, cold, fearless, emotionally indifferent people, who are so attractive in some ways and so appalling in others, and set it out in a briskly readable prose studded with gripping anecdotes. I found it altogether fascinating.” ―Philip Pullman, author of the bestselling His Dark Materials trilogy

“Dutton tackles an elusive, important, and much neglected aspect of the mind: our personality. He presents some highly original insights and does so in a provocative and humorous style―offering practical tips along the way for both ‘normals’ and ‘sociopaths'” ―V. S. Ramachandran, Ph.D., author of the bestselling The Tell-Tale Brain

“Dutton has written a masterful, readable, and entertaining treatise on psychopathy and its manifestations in everyday life. Some of his ideas will generate debate and controversy, but he clearly has provided a thought-provoking book for those seeking to understand the ‘psychopathic' world in which they live.” ―Robert D. Hare, Ph.D., author of Without Conscience: The Disturbing World of the Psychopaths Among Us and developer of the Hare Psychopathy Checklist

“The irrepressible Kevin Dutton has done it again! This time he has produced an irreverent romp through the bright side and dark side of the mysterious psychopath, and does a great job of mixing the scientific with the personal, offering readers an insider’s glimpse into the workings of fascinating persons―and fascinating personalities. Readers will come away both enlightened and entertained.” ―Scott O. Lilienfeld, Professor of Psychology at Emory University, President of the Society for the Scientific Study of Psychopathy, and coauthor of 50 Great Myths of Popular Psychology

“If you’ve been keeping your inner psychopath locked up in the maximum-security unit of your mind, Kevin Dutton explains why giving him some fresh air from time to time may actually do you―and, more important, the rest of us―a world of good. Just give him this book to read and make sure he’s a literate, functional psychopath.” ―Jesse Bering, author of Why Is the Penis Shaped Like That?

About the Author
Dr. Kevin Dutton is a research psychologist at the Calleva Research Centre for Evolution and Human Science, Magdalen College, University of Oxford. He is a fellow of the Royal Society of Medicine and the Society for the Scientific Study of Psychopathy. Dutton is the author of Split-Second Persuasion. His writing and research have been featured in Scientific American Mind, New Scientist, The Guardian, Psychology Today, and USA Today. He lives in Oxford, England.

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396 of 435 people found the following review helpful.
Superficially persuasive
By G. P. Thomas
This is a clearly well researched and often fascinating book, but one which nevertheless rests on a whole bunch of assumptions and long bows.

Dutton takes the term psychopath and completely undermines any point to it as a diagnostic term. Once he's placed it on a 'spectrum' it enables him to talk about 'turning up and down' the dials, even turning them up on some traits associated with the psychopath (fearlessness, ruthlessness) while not on others. What if, says Dutton, we could take those traits and apply them to particular situations, like defusing a bomb, or performing difficult surgery? But this isn't the issue of psychopathy. The problem with psychopathy is precisely that it is a general callous disregard for other individuals as worthy of any consideration other than that which will serve their self interested needs. It's not something they 'turn on and turn off' as situations require. And he never makes the case that it is.

Dutton focuses on the functional psychopath to make his argument that they're not all damaging to society, but that they often perform much needed tasks. What he doesn't do is talk to the families of these so called 'functional' psychopaths. He doesn't look at the psychological havoc often spread, which while not illegal, and not landing them in jail, often has enormous ramifications for those individuals that are forced to deal with them on a day to day basis.

His treatment of the term empathy is curious to say the least, and again he stretches it to a point where it largely becomes meaningless. Far from lacking empathy, says Dutton, psychopaths have too MUCH empathy. His proof? Well look at the obvious pleasure a serial killer psychopath takes in the distress of his victim. It's also shown they're able to identify emotions in others more accurately. Interestingly enough this is exactly the same argument used by Australian serial killer Peter Haigh to explain to the court why he cannot possibly be a psychopath. Glib and superficial? You betcha. But it also misses the whole point of empathy, which isn't just to IDENTIFY another's emotional state or situation, but to IDENTIFY WITH it. In other words it's not empathy to look at someone crying and laugh because you find the distress of others amusing, it's empathy to look at someone crying and feel a similar distress.

The book is riddled with these poor attempts to stretch the meanings of terms to fit a controversial argument. And the question throughout constantly remains, why bring psychopaths into this? There's no doubt that there are times in our lives when adopting a 'care free' attitude or achieving a state of calm under pressure are useful and can greatly increase our quality of life - but then why not write a book about adopting these particular traits in particular circumstances?

The answer of course, is because plenty of those books have already been written. And they're not controversial. Dutton wants to sell books and make a name for himself and he's willing to go to the most spurious of lengths in his argument to do it.

So I await patiently Dutton's follow up book, where I presume he will show the benefits to us all of adopting some of the personality traits of the Paedophile, which will lead us all to a greater warmth and affection for children. Oh, not turning the dials all the way up of course, and not on all of their traits or in every situation, but just a little at the right time.

The biggest problem I have with this book is that it IS superficially persuasive, until you look at his arguments critically. Many people will read this book and find justification for their particular antisocial views, others may be inspired to 'try them out.' All in all the problem lies in the game theory study Dutton references, where the program TITFORTAT dominated by reflecting the behaviour of other programs. Nice when they were nice, brutal and unforgiven when they were not. Do we really want a society where the cultural norm is the attitude of the psychopath, where everyone is forced to 'get in first' because the other guy will if you don't?

I gave this two stars because the studies he referenced are really quite fascinating, but Dutton's interpretation of them is loose and his overall argument rests on shaky foundations to say the least.

135 of 149 people found the following review helpful.
Embracing the psychopath within
By Reuters Breakingviews
If you've ever thought your boss is a psychopath, you may be right, according to psychologist Kevin Dutton. And if you're a top-flight markets trader, captain of industry, surgeon or soldier, you may well be one yourself. But that's OK, says Dutton. It may even be optimal.

"The Wisdom of Psychopaths," an exploration of serial killers, monks, spies and CEOs through the prism of personality tests and neuroscience, is a good book lurking within a bad one. In this regard it perfectly reflects its theme, which is that among the dark traits which make a person psychopathic nestle behaviors and abilities that are not only necessary, but good, for individuals and society. In the seeds of evil, he proposes, wisdom may be found.

An Oxford University research psychologist, Dutton may discomfit many readers with an almost adolescent joy in mixed metaphors and grating puns, relishing the shock value of his premise as he liberally applies the term "psychopath" to all kinds of people. It may sound like he is suggesting sadistic ax-murderers or serial rapists lurk within all men, but his point is rather more subtle. Perhaps this approach is a deliberate attempt to open the reader's mind to new ideas. Or perhaps he needs a more restrained editor.

Still, a razor-sharp intellect with a serious academic purpose lurks behind the loose phrasing and wordiness. Dutton stacks up references to interlocking personality studies, brain scans and physiological examinations, comparing members of the general population with those behind bars and those who excel at certain sharp-end professions. His argument is that most "psychopaths" aren't violent, and indeed most aren't locked away. Many excel in society precisely because they possess, in a more moderate or controlled way, the same traits that land their more antisocial brethren in a world of hurt.

The key traits include: ruthlessness; intense capacity to focus, excluding all distractions such as fear; powerful reward motivation; a disposition to action; acute ability to read emotions in other people, without being moved by them; charisma; mental resilience; and mindfulness, the ability to live in the present moment.

Many people have some of these traits, he says. Those who can manage to flick them on and off according to circumstance have a powerful toolkit for doing well in life, particularly in high-risk, high-reward professions. Those with only partial control of such traits, or who have them jammed full-on all the time, may severely hurt others, ruin their own business or even damage the world economy. Those who lack any such traits should try to embrace a few, Dutton suggests.

In examining CEOs, Dutton also cites a 2005 academic study that compared business managers, psychiatric patients and hospitalized criminals in a psychological profiling test. "A number of psychopathic attributes were actually more common in business leaders than in so-called disturbed criminals," Dutton writes, listing attributes such as superficial charm, egocentricity, persuasiveness, lack of empathy, independence, and focus. The main difference lay in the "antisocial" traits, with the criminals' physical aggression, impulsivity and lawbreaking dials cranked up higher.

One of Dutton's own surveys, in which visitors to his website take a personality test called the Levenson Self-Report Psychopathy Scale and give details of their professions, found that CEOs ranked highest on the scale, followed by lawyers, TV and radio workers, salespeople, surgeons and journalists.

Dutton interviews "functional psychopath" special-forces soldiers, financial traders, lawyers and doctors, often in exotic locales, who speak of experiencing altered states of consciousness when entirely focused on their work, akin to the concept of "flow" or "optimal experience" of Hungarian psychologist Mihaly Csikszentmihalyi. One of the most intriguing of Dutton's insights is the similarity he relates between certain psychopathic traits and those exhibited by experts in Buddhist meditation. Both are very good, for example, at reading emotions in people's faces, embracing new experiences, remaining in the moment and practicing detachment.

To say psychological traits required in killing and in making a killing in the markets are not dissimilar may seem trite. Yet Dutton, despite his tendency to showboat, uses that observation as a starting point for a disconcerting and intelligent exploration of the outer reaches and useful inner depths of at least some human minds.

[...]

76 of 89 people found the following review helpful.
Interesting but rambling and unconvincing
By Yours truly,
The point the author seems to be making is that a little psychopathy can be a good thing. He mentions quite a few successful businessmen and politicians who score high on psychopath tests. He claims his father is a psychopath. The part I found most interesting was a list of professions and how people in those professions score for psychopathy. Policemen, for instance, score high for psychopathy. But the premise is, in the end, trivial. Surgeons are trained to see their patients as a piece of meat. Policemen and the military are trained to function normally in horrifying conditions and to kill without hesitation. They couldn't do their jobs otherwise. A little of anything is valuable in certain circumstances; cold-bloodiness, contempt, skepticism, you name it. I defy anyone to mention any quality that isn't useful in certain circumstances. It's the degree and circumstances that define whether a trait is valuable or not.

I was left with as many questions as answers. While Mr. Dutton addressed professions, he didn't touch age. I'd be willing to bet that children score high on psychopath tests, because children aren't born with empathy but learn it. So while Dutton is asking questions, he's cherry-picking his questions and demographics. He's addressing certain demographics that he wants us to pay attention to in order to make his point.

Another question I had concerned intelligence - do psychopaths test high, low or conform to the same kind of bell curve non-psychopaths do? And, on the subject of intelligence: He mentions a number of self-confessed psychopaths, so apparently psychopaths do know they're psychopaths. Then he mentions psychopath tests that seem to me to be idiotically simple to see through. For instance, is it okay to put a bunch of pills in your grandmother's teapot to play a joke on her? Most six year old children would know better than to answer yes to that question. So if questions like those are used to determine adult psychopathy and psychopaths know that they are psychopaths, it comes down to whether or not a psychopath wants to let everyone know he's a psychopath - and is therefore not a valid test of psychopathy. We know from countless historical examples that most psychopaths hide their psychopathy behind a veneer of friendly, sociable, non-threatening behavior. Neighbors tell us how kind a psychopath was. Mothers tell us that a psychopath was a sweet child and nice to everyone. I'd be tempted to simply give psychological tests the benefit of the doubt, but previous experience has taught me to never underestimate the intelligence of psychologists. There are some slightly less transparent questions, but every single one mentioned seemed ridiculously transparent to me, leaving me with some big doubts about how effective they were as a test.

I purchased the audiobook version, so I couldn't check footnotes or references, which was a serious problem for me. He mentions "flow" in the context of athletes and states that psychopaths display an ability to reach this mental state. Flow was coined by Csikszentmihalyi in his book of the same title to label a mental state of complete absorption in what one is doing. It's a kind of heightened attention to a task that allows one to tune out everything except what one is doing and it's a creative characteristic displayed by musicians, artists and people on computers, among others. Most people who have been absorbed in a task, then looked up and realized that six hours have gone by in what seems like a half hour, have been in this state. But Dutton doesn't give numbers. How do psychopaths compare to the rest of the population? He mentions simply that psychopaths display the ability to achieve the flow state, without mentioning numbers or whether the statistical sample was valid.

The issues go on and on. Dutton mentions that psychopaths can identify a victim by body language, the way they walk. So can non-psychopath criminals and women. It's been well established that women are better at reading facial expressions and body language than men are. But, Dutton doesn't tell us how psychopaths measure up to other groups that can identify "good" victims. On recognizing a potential victim, it boils down to anyone who has a vested interest in identifying them can do so better than the population as a whole can. Women because they're nurturers and also at risk. Non-psychopath criminals because it part of their skill set for success.

On a personal level, I've known more than one psychopath in my childhood. So, I'm always trying to learn enough to identify them far in advance, so that I can get the heck out of Dodge if one is in the vicinity. I found Dutton's book to be interesting but somewhat unconvincing.

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The Wisdom of Psychopaths: What Saints, Spies, and Serial Killers Can Teach Us About Success, by Kevin Dutton PDF

Sunday, March 22, 2015

[K604.Ebook] Ebook Free The Virtual Window: From Alberti to Microsoft (MIT Press), by Anne Friedberg

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The Virtual Window: From Alberti to Microsoft (MIT Press), by Anne Friedberg

As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices -- "windows" full of moving images, texts, and icons -- how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen.

In De pictura (1435), Leon Battista Alberti famously instructed painters to consider the frame of the painting as an open window. Taking Alberti's metaphor as her starting point, Friedberg tracks shifts in the perspectival paradigm as she gives us histories of the architectural window, developments in glass and transparency, and the emerging apparatuses of photography, cinema, television, and digital imaging. Single-point perspective -- Alberti's metaphorical window -- has long been challenged by modern painting, modern architecture, and moving-image technologies. And yet, notes Friedberg, for most of the twentieth century the dominant form of the moving image was a single image in a single frame. The fractured modernism exemplified by cubist painting, for example, remained largely confined to experimental, avant-garde work. On the computer screen, however, where multiple 'windows' coexist and overlap, perspective may have met its end.

In this wide-ranging book, Friedberg considers such topics as the framed view of the camera obscura, Le Corbusier's mandates for the architectural window, Eisenstein's opinions on the shape of the movie screen, and the multiple images and nested windows commonly displayed on screens today. The Virtual Window proposes a new logic of visuality, framed and virtual: an architecture not only of space but of time.

  • Sales Rank: #907695 in Books
  • Brand: Friedberg Anne
  • Published on: 2009-02-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .75" w x 7.00" l, 2.05 pounds
  • Binding: Paperback
  • 376 pages
Features
  • The Virtual Window From Alberti to Microsoft

Review

"The digital revolution has globalized a word and a nation that Leon Battista Alberti first translated from the realm of building to that of representation in 1435. anne friedberg's wide-ranging and masterly book shows that the recent renaissance of Alberti's 'window' is neither coincidence nor simple homonymy. From linear perspective to moving pictures to split screens, from see-through to light-receiving and light-emitting devices, Friedberg brilliantly demonstrates that the virtual window has been the most successful single tool for mimesis, command, and control in the history of Western civilization."

(Mario Carpo, Ecole d'Architecture de Paris-La Villette)

"Unlike most theorists of digital culture, Anne Friedberg brings a deeply historical perspective to the visual metaphors of our wired world. The Virtual Window charts transformations in visual knowledge leading from Renaissance perspective to today's computer desktops by tracking shifts in the physical and philosophical meaning of 'windows.' Its long view offers an important methodological model to media studies and art history alike."

(David Joselit, history of Art, Yale University)

This is an enthralling account of the theory and practice of using windows and screens as a visual metaphor.

(Philip Calvert The Electronic Library)

The Virtual Window is, quite simply, brilliant. Even as Friedberg employs an interdisciplinary historical sweep that most scholars would be incapable of, she offers grounded and very tightly focused discussions of specific theories and visual practices related to the use of windows and screens from the Renaissance to the age of new media.

(John Caldwell, Professor, Department of Film, Television, and Digital Media, University of California, Los Angeles)

About the Author

Anne Friedberg was Professor of Critical Studies in the School of Cinematic Arts, University of Southern California, and the author of Window Shopping: Cinema and the Postmodern.

Most helpful customer reviews

0 of 0 people found the following review helpful.
What does it mean to be alive..?
By James S.
Our eyes and sight, our consciousness and thoughts, our inquisitiveness and knowledge... form both the scene and content as well as the frame and window... of our visual world. Without these windows, would we be capable of focusing upon either the broadness or the fine granularity, the details, of everyday life? Prof. Friedberg prods our underlying assumptions and taken-for-granted awareness of what it is to be alive.

0 of 0 people found the following review helpful.
Five Stars
By N. A.
Great reference for those interested in art, technology and history.

1 of 1 people found the following review helpful.
Great text book
By Meredith Ekberg
Although I have yet to completely read this book, I have read a few chapters and am finding it very interesting and easier to read than a lot of the assignments for Space and Representation Art History class. It works as a great survey text, the introduction lays out exactly what she will be covering and it progresses in a logical manner. Friedberg's analysis of Alberti's window were particularly intriguing. I recommend this for anyone interested in the development of space and virtuality.

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Saturday, March 21, 2015

[J383.Ebook] Download PDF Writing and Grammar Communications in Action:Standardized Test Preparation Workbook, Bronze Level (Teaching Resources)From Prentice Hall

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Teaching Resources.

  • Sales Rank: #1770552 in Books
  • Published on: 2001
  • Format: Teacher's Edition
  • Number of items: 1
  • Binding: Paperback
  • 64 pages

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Thursday, March 19, 2015

[S821.Ebook] Download PDF , by William M. LeoGrande - Our Own Backyard: The United States in Central America, 1977-1992 (1998-10-06) [Hardcover], by William M. LeoGra

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, by William M. LeoGrande - Our Own Backyard: The United States in Central America, 1977-1992 (1998-10-06) [Hardcover], by William M. LeoGra

  • Published on: 1998-10-06
  • Binding: Hardcover

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Friday, March 13, 2015

[I342.Ebook] Download Ebook Magic: A Beginner's Guide (Beginner's Guides), by Robert Ralley

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Magic: A Beginner's Guide (Beginner's Guides), by Robert Ralley

Tracing magic’s fascinating history back to its earliest beginnings, Robert Ralley reveals its influence on religion, science, and society. From charms and curses to rites and spells, spanning the black magic of demons to David Blaine’s endurance tests, Ralley illustrates the changing perceptions of magic, and the dangerous balance between illusion, fraud, and devilry that persists today.

  • Sales Rank: #2103192 in Books
  • Brand: Brand: Oneworld Publications
  • Published on: 2010-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.96" h x .59" w x 5.35" l, .47 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

Review
"An important contribution. Ralley demonstrates an enviable depth and breadth of occult knowledge." --Dave Green, Senior Lecturer in Sociology, University of the West of England, and Co-Director of The Society for the Academic Study of Magic

"An essential introduction. It skilfully teases apart the dark and twisted strands of magic and its practices." --Barry Jones and Stuart McLeod, winners of the "Best Comedy Illusionist" award at the World Magic Awards 2009 and hosts of When Magic Tricks Go Wrong

"A solid overview of a very complex subject." --Michael A. Ryan, Assistant Professor of European and Late Medieval History, Purdue University

About the Author
Robert Ralley is a Research Associate at the Department of History and Philosophy of Science, University of Cambridge. Ralley lives in Ely, near Cambridge, England.

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1 of 1 people found the following review helpful.
Not great, OK-ish for real beginners but hardly worth the time to skim it.
By Genuine Redhead
This is NOT A NOVEL. It is not a how-to manual. It is a reasonably thorough, not very deep, pedantic account of some of the bullet points of the history of what magic meant and how it was perceived over the millennia. If I'd been able to get it at my library I would have done so - they didn't have it so I paid for it but now I will donate it to the library so others don't have to pay. The writer is not dreadful but not at all engaging, the material is not original and not even a very thoughtful account, just an assemblage of information. Possibly somewhat useful to real beginners looking for a map of the terrain but it's the magical equivalent of the recipes on the side of the cookie mix box.

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The Ditchdigger's Daughters: A Black Family's Astonishing Success Story

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The Ditchdigger's Daughters: A Black Family's Astonishing Success Story

  • Published on: 1709
  • Binding: Hardcover

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Saturday, March 7, 2015

[J377.Ebook] Ebook Forever Fit and Firm, by Darvis Simms

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Forever Fit and Firm, by Darvis Simms

Forever Fit and Firm, by Darvis Simms



Forever Fit and Firm, by Darvis Simms

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Forever Fit and Firm, by Darvis Simms

As a practicing physician for over 30 years, I have been absolutely amazed by the vigorous, energetic, and positive behavior of my senior patients who have adopted the type of lifestyle described in Darvis' book. I spot them as they walk through the door! Personally, I have tried to follow the program with varying degrees of success. However, Darvis always has an encouraging positive attitude. I am old is not in his lexicon. Consequently, my muscle mass, endurance, golfing ability and physical work schedule have all improved greatly. I did not think I would gain so much muscle mass as I aged. Darvis has been the driving force behind these achievements. Adopting the weight and cardiac training and healthy diet which are described concisely, clearly, and encouragingly in his book can only enhance your years. You are never too young or too old to pick up this book and start working. You will thank yourself someday as you become Forever Fit and Firm. Morris A. Pollock, Md

  • Sales Rank: #3419019 in Books
  • Brand: Brand: lulu.com
  • Published on: 2011-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .18" w x 8.50" l, .43 pounds
  • Binding: Paperback
  • 74 pages
Features
  • Used Book in Good Condition

From the Author
I'm an ACE certified personal trainer and fitness author with over 20 years of experience in the health and fitness industry. I've seen alot of fads come and go, but three things remain constant in gettinghealthy and staying fit. A positive mental attitude, a healthy balanceddiet, and a fitness program built on proper strength training andcardiovascular exercise. Practice these three things daily and you willdiscover that they lead to "The Fountain of Youth."

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0 of 0 people found the following review helpful.
Excellent Guide For Starting A Fitness Routine
By RicoTX
Forever Fit And Firm is one of those books that you realize immediately was created by someone who actually DOES the stuff they talk about. In the book, Darvis provides an excellent guide to personal fitness. He includes lots of photos and descriptions, so you can make sure you are actually doing the exercises the right way. Basically, think of this book as a very inexpensive personal trainer. The book starts for beginners and works up to intermediate level fitness routines. He also touches on diet and nutrition and talks about how and why fad diets do not work. He says what all of us know but nobody talks about...to lose weight you simply have to burn more calories than you take in. The big tip that I didn't know is that muscle burns calories more than fat. Thus, the more muscle you have the more calories you will burn even when you are doing nothing. Think about that for a minute and let it sink in, because it's pretty cool stuff.

Bottom Line: While I haven't read too many fitness books, Forever Fit And Firm is the best I have read or even seen. Darvis makes it easy to grab this book and go to the gym and start making a difference in your life. If you want to get fit or know someone who does, this book could be an excellent tool and motivator.

0 of 0 people found the following review helpful.
Great book for a guy over 50 like me
By Shop Teacher
Great book for a guy over 50 like me, trying to ease back into personal fitness. The book features three routines: beginner, intermediate, and advanced, including post-workout stretches. Each successive routine builds upon the previous one and includes some of the same exercises. Cardio and nutrition are also covered in detail. Finally, the author provides suggestions for developing a positive frame of mind to complement a healthy fit body. It's obvious that Darvis Simms practices what he preaches; in fact he states that the advanced routine is the one he uses personally. All the demonstration illustrations are of Simms himself, and his buff physique is proof that his fitness regimen works. My only minor criticism of this book is that the publisher didn't proofread the text more carefully. The same couple typos show up several times in the captions. However, this poses only a minor distraction for the reader and in no way detracts from the author's concise instruction.

0 of 0 people found the following review helpful.
A Must Read
By Joseph P. Cannon
Darvis Simms is a personal trainer with over 17 years of experience. In this book, he shows you what you need to do to have more energy, lose weight and remain fit no matter what your age. The book is easy to read so you learn what you need to know fast.
I've only seen a few books where a personal trainer reaches out to the masses to show them how to stay healthy. This is one of those books. You'll be glad you read it.
Nutritional Supplements: What Works and Why--A Review from A to Z

Joe Cannon MS CSCS
[...]
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Tuesday, March 3, 2015

[W977.Ebook] Download Ebook Around the World in 30 Years: Life as a Cultural Anthropologist, by Barbara Gallatin Anderson

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Around the World in 30 Years: Life as a Cultural Anthropologist, by Barbara Gallatin Anderson



Around the World in 30 Years: Life as a Cultural Anthropologist, by Barbara Gallatin Anderson

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Around the World in 30 Years: Life as a Cultural Anthropologist, by Barbara Gallatin Anderson

Anderson brings to life a range of cultures from the tribal Hmong to a United States military base. With humor and a precision born of hands-on familiarity with the regions involved, she draws the reader into startlingly real identification with other people's worlds: France, Denmark, Thailand, India, Morocco, Japan, Corsica, China, Russia, and the United States. Collectively, these chapters give us insight into a gamut of anthropological themes, the challenges of applied fieldwork, and the impact of change on world cultures.

Also by Barbara Gallatin Anderson and available from Waveland Press: First Fieldwork: The Misadventures of an Anthropologist (ISBN 088133491X). Titles of related interest available from Waveland Press: Barley, The Innocent Anthropologist: Notes from a Mud Hut (ISBN 1577661567); Bohannan-van der Elst, Asking and Listening: Ethnography as Personal Adaptation (ISBN 9780881339871); DeVita, Stumbling Toward Truth: Anthropologists at Work (ISBN 1577661257); Gardner-Hoffman, Dispatches from the Field: Neophyte Ethnographers in a Changing World (ISBN 1577664515); and Lenkeit, High Heels and Bound Feet: And Other Essays on Everyday Anthropology (ISBN 9781478615231).

  • Sales Rank: #640728 in Books
  • Published on: 1999-08-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.75" h x 5.50" w x .50" l,
  • Binding: Paperback
  • 180 pages

Excerpt. © Reprinted by permission. All rights reserved.
Identification of oneself as an anthropologist triggers fairly predictable reactions. People at parties and strangers on planes will want to share with you memories of spectacular archeological sites, or they will have questions as to the validity of claims that the body of a woman found by a local roadwork crew is 12,000 years old. In this amiable inquisitiveness they share in the not uncommon conviction that anthropologists, by definition, move about the world unearthing things. Indiana Jones has a lot to answer for.

Where the immediate prospect is one of side-by-side togetherness on a ten-hour flight, a choice suggests itself to those of us who, as anthropologists, do not routinely dig nor focus on past cultures. Go along with their enthusiasms as best we can, short of misrepresentation, or launch into a few clarifications about the field of anthropology in general.

Yes, you are an anthropologist, but although anthropologists are broadly trained (digressions here can be lengthy), your field of specialization is neither archeology nor physical anthropology. You are a cultural anthropologist. In particular, an ethnologist. You work with live people, not dead ones.

Time and multiple plane trips, however, have left me less sanguine about identifying myself as an anthropologist at all. It is simply no good trying to explain to a fellow passenger why you are traveling six thousand miles to a destination spurned by tourists, to watch and listen to men and women, every one of whom is a stranger to you, and none of whom will be keen about your presence among them. It would take less time to explain why you are a fleeing embezzler.

In villages, towns, and cities of the world cultural anthropologists seek out all kinds of people into whose worlds they must make entrance. They find themselves dependent on the goodwill--or minimally, approachability--of strangers in exploring the commonplace as well as more intimate, less-shared dimensions of daily life. This is fieldwork.

Doing fieldwork over long periods of time, both with empathy and with the monitoring dispassion of a trained observer, constitutes the insider/outsider duality of our discipline. In reporting on the ways of life of peoples of the world, cultural anthropologists involve themselves in the activities of their chosen communities. They keep "fieldnotes" on what they learn. And later, with the polish of post-fieldwork reflection, publish their best efforts. In regional and national conferences, anthropologists communicate with one another, inviting comparative debate. In the ideal course of things, insight into human behavior, its roots, complexity, and variation builds within anthropological literature--and sometimes beyond.

This is the course of wisdom. The reader needs to know, however, that not all cultural anthropologists find themselves unerringly on so commendable a course . . . as the following chapters will surely confirm.

Fortunately for me, a variety of opportunities and enticements have moved me about the world more widely than I had ever planned. This book draws upon some of the fieldwork involved. That the cumulative time span is far from negligible absolves me, I hope, from too sober judgment upon the diversity of cultures represented and the brevity of my treatment of them. No selective recall of a culture can prove as edifying as a full and proper ethnographic account of it. I know that. But my goal here is more modest and limited.

I have tried to take the reader along with me in terms of the impact and immediacy of fieldwork as it affects the anthropologist--at least this anthropologist.

I had three mandates for including a particular narrative: 1) it provided insight into a dimension of culture I might otherwise not have acquired; 2) it speaks to the inevitable failures as well as successes in fieldwork; and 3) it makes visible the anthropologist in the vulnerability of the field theater, in contexts different from published reports, with their selective hindsight.

This book documents encounters with various people's formulas or game plans for survival and getting along with one another, largely by virtue of having been born at a particular place, to a particular family, at a particular time in history.

Of sustained interest to me have been the cognitive and emotional profiles of the world's peoples to the extent that these can be captured. Minimally this involves not only a comprehension of wide-ranging formulas for living but an identification with and empathy for the logic that underlies them. An ambitious and often humbling effort.

Part of the challenge lies in recognizing the kind of "receptors" that we as anthropologists bring to the field: the learned codes within us for becoming involved in life around us, for processing and translating what we see and experience--meaningfully and justly.

Intellectually and emotionally (a contrived dichotomy!) the anthropologist walks a tightrope. Fieldwork classes prepare us for what to do, and that training is critical. What we can less adequately be prepared for is how we internalize the field experience, what each of us as anthropologists will draw upon in registering life around us. The "jigsaw" of our own lives, our relationships as sons and daughters, spouses or parents, our codes of behavior and judgment: these are "tamed" in the field but never rendered wholly inoperable. Indeed, we learn gradually to put them to use in identifying with the particular social "fit" that shapes a people's view of themselves, of family, of others, and of the world around them.

Anthropologists are cultural translators. Basically they find themselves projecting what, analytically at least, can be viewed as a multiple-personality approach to fieldwork. Behavior that might well invite psychiatric scrutiny at home becomes standard operating procedure in the field. This is because the acrobatics of fieldwork demand changing levels of readiness and newly adaptive behaviors on the part of the anthropologist. Put more simply, we learn to function from whatever reservoirs of "self" (more accurately of "selves"), from whatever assets of experience, empathy, or identification we can draw upon to make sense of unfamiliar worlds.

And we are actors.

Vicariously we "become" the local sons and daughters, wives and husbands, parents with children in tow, friends, neighbors, tradespeople and curers. The list is long. We register experience through these and other very personal lenses. We project, however formlessly, a new and varied identity within the field "theater." In terms of the community's vision of us, we retain at best a suspect identity. Even the most gracious villagers and townspeople have difficulty advancing a plausible framework for our activity among them.

Essentially we are invaders . . . however discreet our hovering. Within the "niche" that people everywhere seek to assign us, we are the persistent "stranger."

Whatever the script, the irony of fieldwork lies in that compellingly unresolved insider/outsider challenge central to the most modest degree of success in work as a cultural anthropologist.

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