Saturday, April 30, 2011

[A684.Ebook] Fee Download The Killing Woods, by Lucy Christopher

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The Killing Woods, by Lucy Christopher

The latest thrilling adventure from the author of the Printz Honor Book STOLEN -- now in paperback!


Ashlee Parker is dead, and Emily Shepherd's dad is accused of the crime. A former soldier suffering from PTSD, he emerges from the woods carrying the girl's broken body. "Gone," he says, then retreats into silence.

What really happened that wild night? Emily knows in her bones that her father is innocent -- isn't he? Before he's convicted, she's got to find out the truth. Does Damon Hilary, Ashlee's charismatic boyfriend, have the answers? Or is he only playing games with her -- the kinds of games that can kill?

  • Sales Rank: #335244 in Books
  • Published on: 2014-12-30
  • Released on: 2014-12-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 5.50" w x .75" l, .0 pounds
  • Binding: Paperback
  • 384 pages

From School Library Journal
Gr 9 Up—Emily Shepherd looks out the window in the early morning and sees her father carrying something through the woods. A deer? No, it's the body of a teenage girl. And Emily knows her: it's Ashlee Parker, a classmate, and girlfriend of football star Damon Hilary. Emily's dad, who suffers from extreme post-traumatic stress disorder, is accused of the murder, and it is up to her to find out what really happened in the woods that horrible night. The first two-thirds of the story is taut, suspenseful, and very intense: characters are revealed in complex layers, and the woods take on an eerie personality of their own. Teens will read voraciously, seeking out answers and the truth, instantly recognizing Emily and Damon as unreliable narrators. However, the novel gets bogged down with repetitious dialogue and descriptions. In the early chapters, Christopher dribbles out details in deliciously tantalizing ways, but at the story's midpoint, the author withholds too much, and the plot begins to move at a snail's pace. At the peak of the action, intensely exciting moments are broken up by mundane details that kill the lightning-fast pace. Ultimately, though, like Chris Lynch's Inexcusable (S & S, 2005), this is a fascinating discussion of teen violence, self-denial, and conspiracies of silence. And even though readers will likely guess the culprit before the protagonists do, they'll still be hanging on to every word until the end.—Laura Lutz, Convent of the Sacred Heart, New York City

From Booklist
Everyone thinks Emily’s dad did it. He’s the one crippled by military PTSD; he’s the one who came staggering out of the woods with the dead, strangled body of popular teen Ashlee; he’s the one who admits he doesn’t remember what happened and pleads guilty to manslaughter. Emily, though, refuses to believe it and locks horns with Ashlee’s boyfriend, Damon. The two, who share a lusty chemistry from their first pugnacious interaction, alternate narrations, and it is through Damon’s tale that we learn of the Game, a pseudomilitary pastime he, his friends, and Ashlee played at night in the woods. High on “fairy dust,” Damon barely recalls the fatal night’s Game but slowly begins to remember it—and just as slowly, he and Emily begin to come around to the other’s viewpoint. Christopher’s follow-up to the Printz Honor–winning Stolen (2010) sags beneath circular, repetitive conversations, but nonetheless delivers a mystery that grows ever more disturbing with each revelation. Some readers will guess the big secret early, but that doesn’t mean the thrills don’t pack a punch. HIGH-DEMAND BACKSTORY: The well-received Stolen paves the way for a 100,000 first printing, author tour, writing contest, and more. Grades 9-12. --Daniel Kraus

Review
Praise for THE KILLING WOODS:

*"A gripping, heartbreaking, emotionally substantial look at war wounds and the allure of danger."--KIRKUS REVIEWS, starred review

"[A] tense and nimbly crafted psychological thriller."--PUBLISHERS WEEKLY

Praise for STOLEN:

"Complicated and beautiful -- it left me doubting my emotions and missing a place I'd never been." --Maggie Stiefvater

"All the tension of lightning, all the terror of thunder. A stunning, scary, and beautiful book." --John Marsden

*"An emotionally raw thriller...a haunting account of captivity and the power of relationships." --PUBLISHERS WEEKLY, starred review

Michael L. Printz Honor Book

ALA Best Fiction for Young Adults

USBBY Outstanding International Book

Most helpful customer reviews

7 of 8 people found the following review helpful.
Pretty darn good
By Gatsby
(Hard copy)

First off I want to say I feel sorry for Lucy Christopher, and second, no not really.

Stolen (the Christopher novel I fell in love with) was so good, it would be a tough act for ANYONE to follow up on. Stolen still haunts me sometimes. She created a true classic that in my opinion will stand the test of time.

But this isn't Stolen: A Letter to My Captor we are talking about. It's the Killing Woods, probably the most anticipated book for me in quite some time. This could have been part of the reason I'm not sitting here blown away, and really I should be. (High expectations.)

The writing is phenomenal (although far too many uses of the phrase "forest floor"), the story is intriguing, the characters interesting, and there was enough of a story question to keep the pages going.

So what went wrong? (and really not all that wrong since it still deserves four stars.) Here's what I came up with:

1) The most compelling character was the dead one. This was (without a doubt) Ashlee Parker who in my mind looked like Dianna Agron (who played Sara from I am Number Four.) The curious thing here is that although for the whole story she is technically dead, she was the most alive for me. I could picture her and what was going on with her perfectly. Nice work on this character. Absolutely stunning. Not just because she was labeled "beautiful" but because her actions and dialogue and use of her in flashbacks made the story come alive.

2) I saw the end coming a mile away. It was so obvious that I started to get really psyched because I was absolutely certain that I was going to be wrong and in for the surprise of a lifetime (okay, maybe that's a little dramatic, but you get my point.)

3) It took awhile for me to get into. This wasn't a huge problem as I just enjoyed the writing, but the story needed a little get up and go...to help me, well get up and go with it.

4) I almost felt like this story was a smattering of teen issues today. I'm not going to go into it too far for fear of leaking some spoilers, but hot teen issues could be a reason the ending is disappointing, although it was very satisfying.

Overall, definitely worth reading. Isn't that the crux of the thing? (Just a minute, I'm getting there.) Christopher is so good at what she does that when she comes up with something that is sub-par(in my opinion if it were written by someone else would be labeled as breakout) but since she has already proven herself so good, we expect pure genius out of her. While this wasn't pure genius, it was still high above what most other writers are going to give us and for that, some credit is due.

P.S. Sorry for the overuse of parenthesis. The later it gets, the more I uses them. No direct correlation to anything, except for maybe weirdness.

Enjoy the read, I know I did.

1 of 1 people found the following review helpful.
Haven't Read Anything Quite Like This Before
By Tori @ Bookish Affairs
NOTE: I received this ARC from the publisher through NetGalley in exchange for an honest review.

First off, I just wanted to say that this book is nothing like Stolen, Lucy Christopher's other book. I absolutely loved Stolen, and I probably wouldn't have ever requested this book from Chicken House on NetGalley if it weren't for the fact that Christopher's name was tacked on it. When reading this book, I hate to say that I expected more from Christopher, but I did. I expected to be emotionally invested in the characters, which didn't happen. The one thing that did happen was the imagery.

The imagery in The Killing Woods, like in Stolen, is amazing. I could picture Darkwood in my mind like I was actually there. The details and precision in explaining Darkwood was just astounding, and it reminded me of why I loved Christopher's writing in the first place. But like I said above, I wanted to be emotionally invested in the characters. Well, I wasn't. In fact, I was pretty apathetic toward the cast. And after learning how Ashlee really died, I couldn't care less. I was pretty neutral throughout the entire book as far as feelings go.

Also there was Damon and Emily, our two narrators. Yes, the book is in split points of views. I honestly liked Damon, to be fair. Emily? Not so much. I've decided that I only liked Damon because I felt bad for him. Sure, he shouldn't have been on drugs and all, but it would suck to not remember. Plus his girlfriend died. I had minor sympathy for him, but it was still there.

Emily was a flat character without substance. I didn't like her at all. She was too soft (except when she tackled Kirsty), and she just didn't appeal to me as a "heroine." I found myself rooting for her to be the next victim. Simply put, she just really irritated me.

And I guessed the murderer about 20 pages into the book. That isn't a good thing. I'm usually really bad at guessing the killer, so when I actually do, it must be pretty obvious. It just irritated me that this book was a murder/mystery/thriller, and yet I still guessed the killer before any real hints were given. It was just a bit too predictable.

Something I did like about the book, though, was the creepy and ominous "Game" (okay, well, the Game ended up not being that creepy and ominous but the buildup toward the revelation regarding the Game was great!). I also liked the fact that I liked Ashlee less and less as the book went along. I love books where the main character(s) slowly uncover secrets about a murdered person. It reminds me of a scandalous Bones episode.

In conclusion, I thought this book was okay. I'm not too overly excited about it, but I think it's worth a read if you liked Stolen. Just don't have your hopes up too high. I think I would've liked The Killing Woods a lot more if I hadn't read Stolen first.

1 of 1 people found the following review helpful.
Not what I expected
By Stormi @ BMReviewsohmy
The Killing Game is my first book by this author and I thought it to be sort of a chaotic mess. In the end there is an important lesson to be learned but it was getting to the end that felt a little erratic.

The book is in the two POV's and both of the characters are a mess because of the death of Ashlee. Emily's father is being accused of murder because he comes out the woods with Ashlee's body. He has PTSD from his time in the military and they think he was having one of his flashbacks when he killed her. Emily is now an outcast at school, but she also doesn't believe her father could be a killer and sets out to prove it.

Damon was Ashlee's boyfriend and he is a real mess. He wakes up and can't remember what happened the night before because of the drugs. He thinks he remembers walking Ashlee to the short track but he really can't remember. He believes that Emily's father killed his girlfriend and he wants to make his daughter pay.

Both Damon and Emily are so confused in what they believe is the truth and the more each of them try to figure things out the more chaotic it gets. Emily makes Damon think that he could have had more to do with what happened to Ashlee than he first believes, but then Emily also starts thinking that maybe her father did do it. Back and forth it's a very chaotic and intense ride.

Ashlee wasn't the girl that Damon thought she was, she wanted to play the Game but she was playing it in a whole different way and you start to figure out what she was doing towards the end. I had pretty much guessed who the killer was and just waited to see if I was right. Though the reason behind it I wasn't sure of until the end.

The strange sort of way the author puts Damon and Emily together as potential love interest was just a little to weird for me. Unless you think of it as strange teenage hormones because I didn't get it. Emily hates Damon but wants to kiss him. Damon hates Emily but wants to put his hands on her?? Just to freaky for me.

Even though at times it could be intense I just found the pacing to be slow and a bit repetitive. I was curious enough about what happened to keep going but I think I was just expecting a different story line or something.

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Thursday, April 28, 2011

[H732.Ebook] Download Ebook Exam Pro on Civil Procedure, by Linda Mullenix

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Exam Pro on Civil Procedure, by Linda Mullenix

There are eight comprehensive sample examinations included. Each exam contains 25 questions and each problem is based on recently decided federal district or appellate court decisions. Exam Pro provides the answers and a detailed analysis to enhance understanding of civil procedure. The tear-out answer sheets simulate exam conditions.

  • Sales Rank: #437704 in Books
  • Published on: 2007-09-28
  • Released on: 2007-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 7.25" w x 1.00" l, 1.59 pounds
  • Binding: Paperback
  • 400 pages

About the Author
University of Texas School of Law

Most helpful customer reviews

0 of 0 people found the following review helpful.
ok for the money
By Tracy Le Duff
A good overview but not as specific as I thought it would be. The "look inside" information is somewhat misleading.

1 of 4 people found the following review helpful.
Fine, but not for my class
By James J. Holt
This book is fine if you are taking an exam for Civ Pro with the Rules in front of you. Otherwise, you really can't use it.

0 of 6 people found the following review helpful.
Ace Civ Pro
By Litigator
Must Have for Civ Pro Date: November 26, 2009
"Well, I must have had a dozen study aides for Civil Procedure; none of them seemed to really work well for me. My first semester I used all of the study aides I had and took good class notes and all I got was a C-. Unhappy with that I decided to buy one more study aide, the Black Letter Outline in Civil Procedure.

What a difference it made. Chapter, by chapter, It corresponds with all textbooks and clearly and thoroughly examines, explains and lists all of the Federal Rules of Civil Procedure for the course. It allowed me not only to understand Civil Procedure, but to anticipate what my professor would say in class.

Because of the Black Letter Outline in Civil Procedure, I was able to actively participate in class and make my other classmates frustrated- as they wanted to know how I knew what the professor was going to ask. I knew it because of the Black Letter Outlines- I knew what FRCP allowed for discovery, minimum contacts, summary judgment, directed verdict- EVERYTHING- all because of this book. My professor, a federal court judge was very impressed with my improvement from 1st semester.

Bottom line, don't go through Civil Procedure without this book, you will be sorry!!"

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Sunday, April 17, 2011

[W605.Ebook] PDF Download William Shakespeare's The Empire Striketh Back (William Shakespeare's Star Wars), by Ian Doescher

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William Shakespeare's The Empire Striketh Back (William Shakespeare's Star Wars), by Ian Doescher

The saga that began with the interstellar best seller William Shakespeare's Star Wars continues with this merry reimagining of George Lucas's enduring classic The Empire Strikes Back.

Many a fortnight have passed since the destruction of the Death Star. Young Luke Skywalker and his friends have taken refuge on the ice planet of Hoth, where the evil Darth Vader has hatched a cold-blooded plan to capture them. Only with the help of a little green Jedi Master—and a swaggering rascal named Lando Calrissian—can our heroes escape the Empire's wrath. And only then will Lord Vader learn how sharper than a tauntaun's tooth it is to have a Jedi child.

What light through Yoda's window breaks? Methinks you'll find out in the pages of The Empire Striketh Back!

  • Sales Rank: #39840 in Books
  • Model: 9781594747151
  • Published on: 2014-03-18
  • Released on: 2014-03-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .70" w x 5.60" l, .65 pounds
  • Binding: Hardcover
  • 176 pages

Review
“...enormous fun…” —AVClub.com ������

“Good luck getting to the end without rolling off your chairs. This book is a hoot.”—McClatchy Tribune

“...an inspired illustrated mashup that retells the space adventure in artful iambic pentameter and answers the question: What light through Yoda's window breaks?”—Tampa Bay Tribune

“So what are you waiting for? Get thee once more to a galaxy far, far away.”—Paste Magazine

“‘Tis a delight.”—Palm Beach Post

“This is a must for any fan of ‘Star Wars’”—The Citizen

“Illustrated with beautiful black-and-white Elizabethan-style artwork, [William Shakespeare’s The Empire Striketh Back] offer[s] essential reading for all ages.”—East Bay Express

“Classic literature blended with fun is the best way to describe William Shakespeare's The Empire Striketh Back...”—San Gabriel Valley Tribune

“…masterful…”—Deseret News

About the Author
Ian Doescher�is the�New York Times�best-selling author of�William Shakespeare’s�Star Wars�: Verily, A New Hope.�He lives in Portland, Oregon, with his family. Visit him at IanDoescher.com.

Most helpful customer reviews

14 of 15 people found the following review helpful.
These are the books you're looking for
By Canadian eReader
William Shakespeare’s Star Wars – The Empire Striketh Back by Ian Doescher is the sequel to William Shakespeare’s Star Wars, a retelling of George Lucas’s space saga in the style of William Shakespeare. I would strongly recommend picking this up as an audiobook rather than ebook or hard copy – Random House Audio’s production is top notch with an excellent cast. It is far more like a radio play than an audiobook and the excellent cast does a wonderful job of telling the story.

What I liked

The source material. The original Star Wars trilogy is a darn good story. It contains a lot of strong themes which would have been as relevant in Shakespeare’s time as today: love, betrayal, youthful impetuousness, struggle against tyranny. Doescher therefore has a strong base on which to base his adaptation. It also isn’t too jarring, for example, when Han rails against Lando’s betrayal in Shakespearean language as it is a theme and emotion found in many of Shakespeare’s works.

Yoda. On my first listen through I was a little disappointed that Yoda didn’t sound too different from the other characters. In the movies, he has a unique speech pattern and I was hoping that this would be reflected in Empire Striketh Back. It was only on reading Doescher’s commentary that I realised Yoda was speaking in haiku! Darn I wished I’d picked that up first time. This is intended to reflect Yoda’s role as Luke’s master – or sensei – in the mystical force giving an eastern feel to it. Brilliant. Appropriate and brilliant.

The production. Random House Audio has gone full out to make this a radio play rather than an audiobook. We have a strong cast, sound effects (including the iconic swish of the lightsabres) as well as snippets of John Williams’ memorable soundtrack. It all combines to make it a wonderful listen.

Doescher’s Notes and Commentary. I the ebook edition I also possess, Doescher adds some commentary explaining some of the creative decisions he made while writing Empire. This, combined with the teachers notes provides a fascinating new insight into the book.

What I didn’t like

There was nothing, I tell you, nothing i disliked about The Empire Striketh Back. I already have The Jedi Doth Return on pre-order. As the trailer says “these are the books you have been looking for.”

8 of 8 people found the following review helpful.
Trust your instincts, there are no Jedi mind tricks here, only great reading!
By TrinityTwo
(Trinitytwo’s Point of View from the Qwillery.blogspot.com *Reviewed the 3 books in the series together)

I am forgoing my usual short synopsis of the stories I review because in this case I think I am justified with assuming that most people already know a little something about the original Star Wars trilogy.

I’ve loved Star Wars since I saw the first film in 1977. Naturally, I jumped at the chance to review these books. However, I will admit to being a bit nervous about the “Shakespearean” component. Honestly, I admire the Bard and absolutely love Shakespearean theater, but given the choice it is not the first (or even second) book I would pull from a shelf to read. If you have similar fears, let me put them to rest: Ian Doescher’s triple combination of the beloved bard, George Lucas’ classic Star Wars saga, and a few of the author’s own secret ingredients creates one of the most enchanting and delightful series imaginable. This well-loved story written in Shakespearean style made the material fresh and exciting.

Pay special attention to the asides and soliloquies: they can be funny, poignant or sad but each gives a unique insight into character personality or motivations. I really love Doescher’s books the best when he shares our cherished character’s innermost thoughts. For instance, how does C-3PO really feel about R2-D2, or vice-versa? Haven’t we all wondered what Obi Wan was really thinking when he told Luke his father was killed by Darth Vader? Speaking of Vader, what are the thoughts behind that monstrous mask? Are Stormtroopers people with ideas and hopes, or just faceless soldiers? How did Luke and Leia feel when they found out they were siblings after their infamous kiss? Is the Emperor all bad? Doescher’s narrative resolves these mysteries and more.

I also want to take a moment to gush about the illustrations in all three volumes, drawn by the talented Nicholas Delort. They help readers to visualize their favorite characters in frilly ruffs and doublets and are absolutely brilliant.

Forget the nunnery and get thee to a bookstore (or Amazon) to pick up all three of these delightful tomes. Each one is a “must read,” so whether you are spending your summer in the sands (Tatooine), stuck at work (Death Star) or are on some exotic jungle adventure (Endor), you need to trust your instincts because there are no Jedi mind tricks here, only great reading!

3 of 3 people found the following review helpful.
Strongly Recommend
By Christopher Whitman
There really isn't anything that I could say that would influence a decision on purchasing this book. it's Star Wars, but written like Shakespeare! You literally cannot get anything better than that!

Obviously it would help if you have seen the movies before purchasing these books just so you have some baseline on what it originally was, but this is a great read and I am enjoying it immensely. Can't wait for the 3rd book to be released!

Overall: Would strongly recommend to a Star Wars fan looking for a laugh that has a slight appreciation for Shakespearean theater.

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Sunday, April 10, 2011

[T375.Ebook] Download Replay, by Ken Grimwood

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Replay, by Ken Grimwood

Jeff Winston, forty-three, didn't know he was a replayer until he died and woke up twenty-five years younger in his college dorm room; he lived another life. And died again. And lived again and died again -- in a continuous twenty-five-year cycle -- each time starting from scratch at the age of eighteen to reclaim lost loves, remedy past mistakes, or make a fortune in the stock market. A novel of gripping adventure, romance, and fascinating speculation on the nature of time, Replay asks the question: "What if you could live your life over again?"

  • Sales Rank: #549135 in Books
  • Brand: Brand: Arbor House Pub Co
  • Published on: 1987-01
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 310 pages
Features
  • 1988 winner of the World Fantasy Award
  • a time-travel novel as haunting as Jack Finney's Time and Again

From Publishers Weekly
In this intriguing fantasy adventure, Jeff Winston, a failing 43-year-old radio journalist, dies and wakes up in his 18-year-old body in 1963 with his memories of the next 25 years intact. He views the future from the perspective of naive 1963: "null-eyed punks in leather and chains . . . death-beams in orbit around the polluted, choking earth . . . his world sounded like the most nightmarish of science fiction." But Grimwood has transcended genre with this carefully observed, literate and original story. Jeff's knowledge soon becomes as much a curse as a blessing. After recovering from the shock (is the future a dream, or is it real life?), he plays out missed choices. In one life, for example, he falls in love with Pamela, a housewife who died nine minutes after Jeff; they try to warn the world of the disasters it faces, coming in conflict with the government and history. A third replayer turns out to be a serial killer, murdering the same people over and over. Jeff and Pamela are still searching for some missing part of their lives when they notice they are returning closer and closer to the time of their deaths, and realize that the replays and their times together may be coming to an end. 60,000 first printing; 75,000 ad/promo; film rights to United Artists; Literary Guild selection.
Copyright 1986 Reed Business Information, Inc.

From Library Journal
The possibility of traveling back in time to relive one's life has long fascinated science fiction writers. Without a single gesture toward an explanation, this mainstream novel recounts the story of a man and a woman mysteriously given the ability to live their lives over. Each dies in 1988 only to awaken as a teenager in 1963 with adult knowledge and wisdom intact and the ability to make a new set of choices. Different spouses, lovers, children, careers, await them in each go-round of the past 25 years, as well as slightly altered versions of world events. Their deep commitment to one another continues through the centuries of their many lifetimes. This delightful and completely engrossing story will appeal to a wide variety of readers. Literary Guild selection. Marcia R. Hoffman, M.L.S., American Hoechst Corp., Somerville,
Copyright 1987 Reed Business Information, Inc.

Review
"Dufris's skilled delivery of the fantasy of reliving one's life has just the right tone of wise hindsight." ---AudioFile

Most helpful customer reviews

9 of 10 people found the following review helpful.
If it were written today he would spend all his lives binge-watching TV and getting into arguments on social media
By Michael Battaglia
What if you could live your life over again, but without the benefit of being Bill Murray? That's the dilemma that Jeff Winston winds up facing here. When we first meet him he's in his mid-forties, stuck in a job that he doesn't seem to find as fulfilling as he used to and his marriage isn't so much unraveling as ossifying, old arguments turning into a very solid resentment that will probably last for the rest of their lives. Jeff is primed for a mid-life crisis of sorts, but instead of getting a hot young girlfriend or a new car, he gets something entirely different: a massive fatal heart attack. And that's how we start.

But as you can probably tell since the book is called "Replay" and not "All the Bad Decisions I Don't Remember Making Eventually Haunt Me", Grimwood isn't so much interested in how we get here as much as what happens afterwards. And in this case, Jeff dies and wakes up . . . in 1963, with the body of his eighteen year old self and all the memories of his life from that point until he dies in the late eighties. At a loss for what to do, Jeff does what anyone else would probably do in the same situation: massively bet on the outcomes of future sports events to secure himself vast amounts of wealth and set himself up for a comfortable existence (if nothing else, this teaches me to pay more attention to who wins the World Series, as you really never know when it might come in handy) then making shrewd investments in companies that he knows will do well in the future. All is going swell, he's living his life almost exactly as he's envisioned it.

Then he reaches the eighties and dies again. Thus a slight snag in the plan appears.

And so it goes for this latter day Billy Pilgrim, who isn't so much unstuck in time as ricocheting back and forth like a rubber ball in the middle of two metronomes. Beyond the concept, which apparently did influence "Groundhog Day", Grimwood takes a deceptively simple writing style (I managed to polish the whole book off in about three hours max) and proceeds to milk the basic idea for all its worth. He applies a realistic filter to Jeff's first time through the merry-go-round, having him do all the things that most normal people would do in the same situation (including trying to change history . . . with unexpectedly interesting results) but by forcing him to repeat all that all over again (and again) he gives up an opportunity to keep revisiting the same scenario but with new wrinkles added each and every time. He attempts to rectify mistakes he made in his original life, tries to shake a sense of loss for what he left behind in previous run-throughs, all the while operating with the knowledge of the one thing that most of us will never know for certain: when he's going to die and how. He's not even sure if he'll come back each time but his constant struggle to both avoid his fate and try something different with his life each time makes for oddly engaging reading, as Grimwood keeps recreating the same scenarios but weighed with Jeff's knowledge of all his past lives layered on top of him, a burden he can't quite embrace nor escape.

And yet Grimwood keeps making it interesting, like a wheel running over the same track again, working the groove deeper and deeper. On one of his go-rounds, Jeff comes to realize he isn't the only one reliving his life repeatedly and that wrinkle of two people trapped in overlapping loops of the same cycle, falling in love and losing each other and having to figure out how to find each other again, greatly opens up the possibilities of the book. He varies the repetition just enough so that you notice the differences more than the similarities, managing to simultaneously convey the joy of having your whole life ahead of you again, the drudgery of having to plod through the boring parts once more (I didn't mind high school and college at the time but the thought of having to go through and study for all those classes again with my old and shriveled late thirties mind is terrifying on some level) and the anxiety that comes when knowing exactly how much time you have only means that you're more aware than anyone else how absurdly little it really is. For Jeff and the woman who becomes his companion its like riding a treadmill tilted downward and coated in oil, you can fight as hard as you want to stay upright and stay on the belt but eventually you're going to fall away back to the start again.

The fact that any of this succeeds is due to Grimwood's ability to give us forward momentum even when the plot is literally doubling back on itself. His imagination for the different scenarios is fantastic enough, like dropping the same actors into the same framework for a play over and over again and watching them improvise a different result based on what's gone before. He manages to keep the feel of it realistic by focusing on the characters themselves and how they react to something, both in their despairs and how they make it work (and for contrast he throws in a third person apparently experiencing the same phenomenon, whose reaction to it makes their wackiest moments seem like utter pillars of rationality), whether its buying stocks, betting on horse races, or making movies. What he doesn't do, and which I sorely appreciate, is make the focus on the book the characters' quests for the ultimate "why" this is all happening. Different explanations are floated and the reader can probably come up with their own theories, whether time itself is broken, or its aliens running an experiment or even some test from a higher power, but the characters quickly realize, as much as the reader probably will, that the explanation isn't the point. Knowing the why doesn't tell you anything beyond maybe that God as a weird sense of humor. Ultimately the characters are too busy living to worry about that and that's where the meat of the book lies, in the second and third chances that we all want but never get, the changes we make within ourselves with the weight of experience, the tragedy of loss and the joy of reconnecting and the grim certainty that even if you had all the time in the world, it would still be too little (something hammered home later when it becomes clear the intervals between dying and being reborn are becoming shorter and shorter).

There's a line in one of my favorite Robert Frost poems that goes "I'd like to get away from Earth awhile/and come back to it and begin over" and here Grimwood makes us ask ourselves, what would we do if we had to do it all over again? Is fixing your mistakes (or what you perceive to be mistakes) the point? Is it the opportunity to try new things, to see if all those paths we never took would actually lead us somewhere better? Or is it simply worth the chance to revel in the day to day progression once more and not worry whether we get it right the whole time. Jeff ends the novel in nearly the exact place he began it, and yet it would be difficult to suggest he's the same person. Still, were his opportunities any better or more open than ours? You don't have to feel trapped to want to make a change and you don't need a freak spasm of time to give you an excuse. In a sense, we have it better than Jeff does for a good chunk of the book. Forced to go over the same temporal ground repeatedly, he has to make the most of limited tools and see his progress, for good or ill, erased. But for us, every day forward gives a chance to move away from where we were and push ahead to a horizon that might reside where we need to be. Within the borders of our years, we are boundless, perhaps more than we realize.

2 of 2 people found the following review helpful.
How would you live you life again?
By Solari
Originally published in 1986, Replay is a time travel story with a twist. It raises the question: what would you do if you died right now and woke up 25 years ago back in your teenage body? What if this happened several times and you could relive your life again, and again, and again?

[THIS REVIEW CONTAINS MINOR SPOILERS]

The plot begins with Jeff Winston, a 43-year-old radio broadcaster that dies of a heart attack in 1988 during a phone conversation with his wife. He immediately wakes up back in 1963 and how he was at 18, still a law school student, but now with the memory of everything that would happen in the next 25 years.

The first thing that Jeff does is become a millionaire, by betting – correctly – in all the sports events he remembers. The he goes to Las Vegas, gets a trophy wife, becomes a billionaire as he knows the best company stocks to buy. Despites his efforts taking better care of his health and having a whole hospital at his disposal, Jeff dies again in 1988 and wakes up back in 1963, in a phenomenon that would repeat itself several more times.

Jeff balances himself between omnipotence and impotence. He tries to stop JFK’s assassination before it happens, but the president ends up killed by someone else. He tries to find his old wife in his new life, who drives him off in some lives and accepts him in others, evolving a different personality each time. He has a daughter in a life, who he fears will be lost in a limbo when he “reboots”. And Jeff accumulates a knowledge that he has no one to share with. Until he discovers he is not the only one “replaying” his life.

It is very interesting how the character goes through different stages along his replays, enthusiasm, depression, acceptance. Author Ken Grimwood showed great sensibility recreating all these existences, with moments of new happiness and new pain. The point that came across to me is that if we lived our lives again we wouldn’t correct the mistakes of the past, we would only make new ones. Replay is a book that transcends science fiction and makes the reader think about their own story.

2 of 2 people found the following review helpful.
Knockout book about what it means to be alive
By Gary Schroeder
Let’s just get to the point: Replay is simply one of the best novels that I’ve read in a long time, the kind of book that you’re sorry to see come to an end and, after the last page, one finds it hard to return to the “real world.” Published in 1988, Replay is basically a mid-life fantasy novel in which our hero Jeff Winston gets the unexpected opportunity to live his life over again. I’m not giving anything away by saying that he dies from a heart attack in his 40s only to reawaken as an 18 year old freshman in college. After the initial shock, he’s forced to conclude that it’s no dream; he really is re-living his life over again. He has the miraculous opportunity to do it all over…except this time, he’ll get it right. With his foreknowledge of the future, he can not only make himself wealthy, but he can avoid getting trapped into the same failed relationships that ended when he “died.” What person in their 40s hasn't wondered how things might have been different or whether or not they’ve made the most of the time that they’ve been given? Replay explores that question in elegant ways.

I wouldn’t want to give away any of the details of what Jeff learns along the way since that would ruin the enjoyment of reading the book for yourself, but I will say that author Ken Grimwood has crafted a classic here, a book that I’m surprised is not more well known. He skillfully covers universal adult themes of regret, longing, and confusion over just what the inherent meaning of life is. He delves deeply into the joys and sorrows of marriage, children, money, power, sex, and personal fulfillment. He does this so well that you may feel—as I did—as if you’ve actually had the opportunity to live multiple lives and reach the same conclusions about Universal Meaning as the protagonist does. As a result, you may be just a little more joyful about the life and the chances that you have today—right now. Replay achieves what the best fiction always does: it awakens us to fundamental truths.

One final note: the book initially has the feel of a standard time travel novel in that there are no great surprises in the first 100 pages or so…but stick with it. There’s a great twist right in the middle of the book that significantly changes its trajectory and allows it to break away from the rest of the genre.

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Wildfire, by Susan Lewis

Everything in Rhiannon's life is perfect. Her career is on the up and Oliver, the great love of her life, has just asked her to marry him. The future couldn't look better.

But their married bliss soon starts to evaporate when Oliver's power-crazed boss decides that Rhiannon is an unsuitable wife. And when American billionaire Max Romanov, engaged to supermodel Galina Casimir, turns his charm on her, Rhiannon is overcome by the intensity of her feelings for this enigmatic man who proves to be a challenge too hard to resist.

Until the web of passion becomes more and more tangled and threatens to destroy a love that consumes like wildfire...

  • Sales Rank: #424527 in eBooks
  • Published on: 2010-10-31
  • Released on: 2010-10-31
  • Format: Kindle eBook

About the Author
Susan Lewis is the author of eighteen bestselling novels. The Hornbeam Tree was shortlisted for the Romantic Novel of the Year Award 2005. She is also the author of the bestselling memoir Just One More Day.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Sexy soap opera of a read
By ElaineG
First published in 1997, this is a real tv mini-series of a read. Only, if this had been made into a three parter it would have to have been either very heavily edited or shown way after the watershed - this story is stuffed full of graphic sex! A story of the fabulously wealthy, rich and powerful loaded with betrayals, counter betrayals, revenge and retribution – I was hooked! The characters, for the most part, are all gorgeous and randy as anything with the morals of alley cats – if Armani sold knickers with rip cords, they would wear them as they hopped their way from bed to bed to kitchen table.

The plot itself is way over the top, deliciously so in fact. It is pure escapism as it twists and turns. Every few pages I found myself gasping “I can’t believe he/she said/did that!”.

I really loved this sexy soap opera of a read – I think it appealed to the part of me that loves to watch programmes like Dallas and Revenge. Warning though – the sex is graphic and there is lots of it, so if that is not your cup of tea then you might find yourself skipping pages.

0 of 0 people found the following review helpful.
Good Read
By Juno
Thank goodness I've found a book by this author that I liked. I've read 3 other books by her on recs from other readers will not read any of hers again. Why not you say? Beacuse theyre all draaawwwnn out...so many supporting characters it's hard to figure out or keep it together. Lest we forget the endings of all her books are quite abrupt! Badda bing badda boom! So like I'm saying..wait! wait!..what the heck just happened? After you've read and read (her books are lengthy) it just ends folks! Never any epilogues, as I think author is exhausted in the end.
Back to this book. Again, many supporting characters and quite lengthy but it has some meats in it to keep you interested. I subtracted one star because AGAIN it ended abruptly. Yikes!

0 of 0 people found the following review helpful.
I love a story with a happy ending even if our ...
By Amazon Customer
I am such a fan of Susan Lewis that she really can do no wrong in my eyes (except her two biographical books which was a bit of a let down). Wildfire did not dissappoint in the least.I love a story with a happy ending even if our heroine had been through many travails due to falling for the wrong man but Max was such a 'good catch'that it masde up for all her previous wrong choices.

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Tuesday, April 5, 2011

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Cedric Errol is seven years old. He lives with his mother in a little house in New York. They don't have much money, but mother and son are good friends. Cedric is a kind, friendly little boy, and everybody likes him. His father was English, but he is now dead, and Cedric and his mother are alone in the world. But one day a lawyer arrives from England with some very surprising news about Cedric's grandfather...

  • Sales Rank: #5992574 in Books
  • Published on: 2009-03-19
  • Original language: English, German
  • Dimensions: 7.83" h x .24" w x 5.12" l,
  • Binding: Paperback
  • 64 pages

About the Author
Jennifer Bassett is Series Editor of the Oxford Bookworms Collection, for which she has written original stories One-Way Ticket and The President's Murderer.

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