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An unconventional biography discovers the real Charlotte Bronte+a5 behind the loneliness, loss, and unrequited love--a strong woman with a fierce belief in herself, creative energy, and powerful ambition, who shaped her life and transformed it into art.
- Sales Rank: #736759 in Books
- Published on: 1995-01
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 6.50" w x 1.50" l,
- Binding: Hardcover
- 416 pages
From Publishers Weekly
In this eloquent revisionist biography of English novelist Charlotte Bronte (1816-1855), Gordon (Shared Lives) argues that she hid a passionate nature beneath the facade of a dutiful Victorian woman. She and her sisters Anne (The Tenant of Wildfell Hall) and Emily (Wuthering Heights) penned fiction and poetry during Yorkshire evenings at the Haworth Parsonage where they lived with their dictatorial father. Although the sisters initially published under male pseudonyms, Charlotte revealed their identities after she wrote Jane Eyre (1847). Gordon draws on letters and her analysis of Charlotte's autobiographical fiction (Shirley; Villette) to reveal an ambitious writer with tart humor who raged against the constraints society placed on her sex, as well as a woman who, after two unrequited love affairs, embarked on a brief but happy marriage. Earlier accounts that portrayed Charlotte as a lonely, tragic figure, Gordon maintains, were skewed because of the morality of the times and Charlotte's grief at the deaths of her two sisters and brother Branwell. Illustrations.
Copyright 1994 Reed Business Information, Inc.
From School Library Journal
YA?After her death, Charlotte Bronte's father, husband, lifelong friends, and her first biographer set about to whitewash her character. While this may be a somewhat harsh evaluation, it does seem that the efforts of these original guardians of her legacy have served to lessen the impact of her personality and made the passionate life of Gordon's title into one befitting a proper and pious Victorian wife and daughter. In this fascinating look at her true motives and desires, Gordon shows that Charlotte continually desired to push to the limits the situation of women in Victorian life. In a readable and engrossing account, the author leads readers into the mind and even the soul of her subject. They can follow her development from a romantic, solitary child, happy only in the company of her siblings; through her life as a student, teacher, governess; and finally as a wife. YAs will come to understand why, in the end, she willingly sacrifices her art for her marriage. This is a vivid description of the place of women in Victorian society as well as an excellent biography. It includes extensive notes, a bibliography, both primary and secondary sources with much coverage of the Brontes' juvenalia, as well as photographs and sketches.?Susan H. Woodcock, King's Park Library, Burke, VA
Copyright 1995 Reed Business Information, Inc.
From Library Journal
In this passionate take on the life of the undervalued English novelist Charlotte Bronte, Gordon (Shared Lives, LJ 5/1/92) unfolds the painful tale of smoldering genius struggling to come to light. In the Victorian age, when women of little means or beauty were relegated for the most part to menial teaching professions, Charlotte and her sisters Emily and Ann (and brother, Branwell, though as a boy he had more opportunities) wrote in the cold, lonely parsonage of West Yorkshire where they grew up. Under the pseudonyms Currer, Ellis, and Acton Bell, they all published and soon after died-except Charlotte, who in 1849 received instant success with Jane Eyre, the novel which proved that a heroine could in fact be plain and passionate. Gordon's reconstruction of Charlotte's brief, tempestuous life reveals an admirably careful reading of her letters and novels, though she too summarily touches on the work of the other sisters. The suppressed rage of this "quivering mouse" is palpable on every page. A sterling biography for all collections.
Amy Boaz, "Library Journal"
Copyright 1995 Reed Business Information, Inc.
Most helpful customer reviews
1 of 1 people found the following review helpful.
The best biography I have read of Charlotte Bronte's life
By J. Gardner
The best biography I have read of Charlotte Bronte's life. A full portrait of a great writer and person. After I finished it, I wish I could go back in time and meet Charlotte and have conversations with her.
17 of 18 people found the following review helpful.
The Enigma of Charlotte Bronte
By RCM
I have long considered "Jane Eyre" to be my favorite book, and I have read much of Charlotte Bronte and the writing of her sisters. These three women were enigmas in their time; they wrote with voice beyond their years and experience, and created central female characters who were strong and could hold their ground with any male character, something not deemed proper in a modest Victorian lady. Hidden behind pseudonymns, they could give voice to the shape of women to come long after they lived and since Charlotte lived the longest of the three, it is through her legacy that anything about the Brontes can be known.
Lyndall Gordon has done a remarkable job with this biography. It is not a straight-forward chronological biography in the typical sense; while it concerns itself with dates and events as they unfolded, Gordon is more concerned with the woman behind these happenings. She has been able to delve into Charlotte's life and expose a portrait much more vivid than other biographies have created. So much has been said and misrepresented about Charlotte Bronte (thanks in large part to the biased writing of Elizabeth Gaskell so soon after Charlotte's death) and Gordon examines that image while weaving the fire of Charlotte Bronte's soul and writing into a new image of an icon.
Gordon begins by tracing the roots of the Bronte family - the death of their mother at a young age, who left behind six children to a preoccupied father who only had time for his parsonage and his only son,(so preoccupied was Mr. Bronte that he did not know of the writing gifts his three daughters possessed until they presented him with published novels) - to the trials and tribulations of publishing, to the tragic deaths of all four of her sisters and her brother, to her unlikely marriage and success as an author. Gordon traces Charlotte's struggles at school and her exhaustion at being a governess, to her years in Brussels where her gift (and love) truly caught flame for the first time. She weaves back and forth between triumph and disillusion, success and heartache, happiness and depression, painting a picture of Charlotte Bronte as a passionate, fearless woman who defied the life laid out for her.
In an age when literary pursuits were not meant for females, Charlotte Bronte turned the tide. She endured criticisms of being coarse and immoral, of being plain and undignified, of being doomed to a life of spinsterhood and illness. She rose above all of these challenges and became a mix of the heroes she had created in her novels. "Jane Eyre" may stand as her best work, but it would be amazing to know what else she might have been able to offer the world if her life hadn't been cut short.
4 of 4 people found the following review helpful.
Studded with undervalued gems- and who's on the front cover?
By James Gorin von Grozny
This homage examines Charlotte's personal relationship with her writing, and how people and episodes in her life inspired her imagination.
There are some priceless gems of insight- for example - 'she walked awkwardly, as if one with early hip-trouble.' yet these 'awkward' clues to Charlotte's physical challenges are not explored nor incorporated into her profile.
The first and last sentence in the first and second paragraphs of her first book refer to walking and mobility, yet the author fails to connect his intriguing and vital reference to 'walking awkwardly' with those first written sentiments.
Charlotte 'expounded' her physical impairment in 2 watercolours, the first in 1830 based on Landseer's 'Hours of Innocence', the second 1834 'Lycidas' (a fragile butterfly) half-naked posture borrowed from Fuseli's 'Solitude at Dawn', both originals expose the Lower Right Knee, Charlotte's versions bear the indelible mark of an ugly, 3" diagonal scar. A 3rd 3" diagonal scar on the right knee has appeared on the verso of a disputed group portrait.
The rounded, robust woman on the cover we are firmly told is Charlotte, photographed during her post-marriage illness, months before she expired- of 'frailty' in childbirth.
Describing the photo, Lyndall Gordon advises the 'twist' of her mouth is turned away from the camera- implying that the quirky distinction is unseen on the right side of her face, yet according to Richmond's pastel and Branwell's clever 3/4 aspect, the 'tug' and crinkled architecture is on the left. A third, recently uncovered and controversial group portrait by Edwin Landseer corroborates the unusual scar and with the known likenesses in suggesting the distinctive 'tug' of lips emanates from the left- which directly contradicts the essence of the author's appraisal.
By the time this photo was taken Charlotte had been dead some 5 years.
So who might be the contented, mean-eyed, grave-browed, slightly Slavic, mid-40's chubby woman (with rippled hair & ringlets)? She did indeed have a rightwards 'tug of lips', as seen in other photos - it's Ellen Nussey.
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